Art Archive • Sharaku

Ukiyo-e

Sharaku Gallery (Guide)

Mica-ground actor faces that stare back from Edo’s theater district.

Toshūsai Sharaku’s ōkubi-e actor portraits (1794) — seventeen works from The Metropolitan Museum of Art, public domain.

Sharaku’s actor portraits compress late-Edo theater culture into a single face—a singular lineage within ukiyo-e. In a career of roughly ten months he left many masterpieces, bold in deformations of expression and gesture that set him apart from his contemporaries. Sharaku’s identity long remained a mystery; today the Noh actor Saitō Jūrōbei, retainer of Awa-Tokushima domain, is the leading candidate.

This gallery is built around the twenty-eight mica-print ōkubi-e published in the fifth month of Kansei 6 (1794), drawn from The Met’s holdings and released in sequence. Mica printing (kira-zuri) dusts powdered mica into the background for a distinctive sheen, lifting the actor’s face from an unmodulated ground. This group is widely regarded as the peak of Sharaku’s brief career—the moment his style cuts most sharply.

Kansei 6 (1794)

Ōkubi-e

雲母摺大首絵

Mica-dusted backgrounds lift exaggerated brows and eyes — actor portraits compressed into a single face at the peak of Sharaku’s brief career.

High-resolution digital downloads (best-set JPEG/ZIP on SUZURI): Ukiyo-e digital downloads · 日本語. Checkout on SUZURI is in Japanese; prices are shown in yen.

Selected Sharaku actor portraits are available as print goods (17 works): SUZURI store .